I love
traveling but I have not traveled much. A dragon flying tends to bring
unwanted attention. Since there are not planes with dragon size seats I had to
use the “look human AND sane” old trick in order to get to one. Destination:
Mazunte. It’s a nearly virgin beach about an hour drive from Huatulco. My
travelling companion was a real globe trekker.
Since she had seen several
marvels of the world, she didn’t look half amazed of the sights as I did. She
was amazed though at how I reacted to everything I saw. I spent most of the
time pointing my finger everywhere and urging her to take a picture. It was
always: “Look! Look at that! Take a picture!”
She took a
picture of a dolphin and I made her take a picture of a buzzard. She took a
picture of a beautiful sunrise and I asked her to take a picture of a stone
white of seagull droppings. Yes, our levels of amazement were different, no
doubt. I thought every single thing was awesome and worth the picture,
including a picture of her running with a cloud of mosquitoes around her head.
(Mosquitoes are not interested in dragon’s blood, btw.)
What does
anything of this have to do with writing? You may wonder. Ever since I got the
idea to write a story of publishable quality, I set myself on the quest of
learning everything I could about writing. During this quest, I’ve experienced
the same feeling than when I travelled to Mazunte. I feel everybody knows
things I’m only starting to discover.
This has
happened to me:
“Look! Look
at this! Characterization, isn’t that a wonder?”
“Hum, I’ve
seen that before.”
Also this:
“Geez, didn’t
think dialogue tags were so bad!”
“Oh, don’t
worry too much about it.” And “Yes, it’s huge, worry about it, A LOT!” (At the
same time from different people.)
Honestly,
the more I learn the more I am aware of the whole bunch I still ignore. Some writer’s
maxims seem like inside jokes to me. Everyone seems to get it except for me.
“Write what
you know.” – Well, if I write only about what I know I wouldn’t be writing a
story about Indians and secrets societies.
“Writers
lie to tell the truth” – Say what?
“Writing is
an act of courage” – Oh, you bet! But something tells me this is not referring
to the way I’m getting it.
Some light
came from Jeff Hargett and his Sunday Surfing (which I HIGHLY recommend for
anyone who, like me, is trying to figure out an unknown business in a foreign
language). He posted a link to free on-line courses and there I found this
Short Story Course at the MIT.
The truth
is you really have to be Sherlock Holmes and have some average knowledge on the
matter to fully understand the Lecture Notes without the teacher. For a novice
like me, some things made very little sense. However, I found some important
revelations as the explanations to the “inside jokes”. I share them with you
aware I might be pointing out at the white rock covered in seagull droppings, but it
still amazes me as if it were the sunrise.
“Write what you know” is one
of the great maxims of the field, but we have to define what that really
means. You cannot limit yourself to
writing ONLY about characters just like you.
(Otherwise,
you could only write your own gender, age range, ethnicity, and this would be rather
limiting.)
So
what does it mean to know, and what do you know?
-
physical truth
(This
is what you know from physical experience—how a place looks, smells, what scratchy
wool or zero degrees feels like on your skin)
-
emotional truth
(This
is the central truth for a writer, the emotional reality of the “now” moment which
the reader MUST accept. If the reader
does not believe that moment of revelation/change, then the reader will not
accept any part of the story.)
Writers lie to tell the truth
– emotional truth lies in the cloak of fiction.
Fiction,
that is, the act of embedding emotional truth in situation that never happened,
is the way we find the courage to reveal that truth.
Writing is an act of courage.
It takes courage to express emotional
truth. It means that you have to know yourself
and be willing to put the depths of emotional reality out there where anyone
can read it. Fiction is what keeps us
safe, what lets us express and the audience experience that truth.
Psychologists
say that people have experienced the full range of emotion by the age of
six.
You
must trust your own emotional experience and believe that you have adequate understanding
and memory in order to have something to say.
You
need the courage first to be honest about your own emotional
reality/experience, and then to express it.
Honesty is hard because every character we write comes from us, the villains
as well as the heroes. And we owe the
villains as much as we owe the heroes, we must respect and understand their
humanity, their motivations, and their desires.
Which means that we have to be honest about our own less-than-admirable
desires, actions, etc.
"Look, look! Now I feel a bit more "In" than before. That's amazingly encouraging, isn't it?"
